Comments for Singapore Arts Festival Blog

Comment on Cargo Travellin’ Thru by Testing the Silence « Singapore Arts Festival Blog

Testing the Silence « Singapore Arts Festival Blog — Tue, 21 Jun 2011 09:23:28 +0000

[...] the Singapore Arts Festival last year, Rimini Protokoll astounded us with Cargo Kuala Lumpur-Singapore, a road trip into unknown nooks of our city that melded the revelatory power of theatre with the [...]

Comment on Writing HERStory: An Interview with Otto Fong by 近伤情怯 | 岛雨蛙响 Island Observatory

近伤情怯 | 岛雨蛙响 Island Observatory — Mon, 13 Jun 2011 16:56:25 +0000

[...] 这样子形容《她的故事》，并非认为其制作水平不足。这部由方永晋编剧、郭庆亮导演的新加坡艺术节2011年委约制作，从前台到后台的团队都是本地剧场极富经验的人选，呈现出来的成品也是具专业制作水平的赏心悦目之作－许多朋友都对本地英语乐团Observatory的Leslie和Vivian能在现场演唱、奏出听似百人中文合唱团的效果惊叹不已。 [...]

Comment on Writing HERStory: An Interview with Otto Fong by Singapore Art Festifal 2011: I WANT TO REMEMBER | rainbowartsproject – documenting LGBT art

Sun, 29 May 2011 04:25:38 +0000

[...] check out Otto’s interview by Ho Rui An here. [...]

Comment on When a Gray Taiwanese Cow Stretched by Ishinha by Wong Yunjie

Wong Yunjie — Tue, 24 May 2011 15:01:22 +0000

i thought When a Gray Taiwanese Cow Stretched derived its power mainly through near-perfect synchronicity, and the precision of their movement as a collective. Where the recollection by the individual migrants are concerned, i felt that there was a seamless quality to the recounting, so that not one individual’s story was a focus – hence i saw a deliberate attempt to take the focus away from the individual, perhaps onto an insight on how memories are recollected- near-seamless fragments stitched together, almost as if at random.

So i am not sure if in reviewing the work the role as played by the individual actor can be meaningfully commented upon – this is food for thought.

Comment on Dance/film as a lot more than dance on film by Dr Richard James Allen

Dr Richard James Allen — Tue, 22 Feb 2011 21:37:41 +0000

Hey there, sorry you missed my masterclass. We also had a lively session, looking at the nexus of choreography and cinema, with particular reference to the role of the director and evolutions in new technology, as well as touching on some of my personal interests in spiritual thematics. Thanks to all for making it happen – had a wonderful time in Singapore and great to share with your creative community. Best, Richard

Comment on The Manganiyar Seduction by Thomas Topan

Thomas Topan — Tue, 01 Feb 2011 07:26:05 +0000

Hey, i was just wondering how you managed to get such a good domain name?

Comment on SAF 2011 (and beyond!!!) by xewyne

xewyne — Thu, 02 Sep 2010 15:46:55 +0000

Nooooes don’t do The Optic Trilogy. Give us undergrads a chance at it next year @_@

Comment on The Carnival of The Animals and Peter & The Wolf by The Carnival of The Animals and Peter & The Wolf « Buttons In The Bread

The Carnival of The Animals and Peter & The Wolf « Buttons In The Bread — Wed, 25 Aug 2010 09:07:27 +0000

[...] The Carnival of The Animals and Peter & The Wolf May 22, 2010 by Jeremy This is a review which I wrote for the Singapore Arts Festival blog (here). [...]

Comment on “In the Mood” by The Mobile Sewing Company by A Wonkey Donkey

A Wonkey Donkey — Fri, 06 Aug 2010 02:16:02 +0000

I love this idea how amazing.

Comment on Mega-Line Dance tonight by saseedaran

saseedaran — Sat, 26 Jun 2010 06:27:45 +0000

Dance in motion, rhythm and interactive. Dance a way of expressing beauty and aesthetic fulfillment.

http://www.saseedaran.wordpress.com